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Howard Mehring is best known for his hard-edged geometrical color field paintings and screenprints. But he first proved his worth as a painter in far more abstract expressionist work.
A magnificent work of hard-edged abstraction by one of the seminal Washington Color School painters, this example presented in strikingly bold color. Its color and scale make it a showpiece. This work is particularly important because it falls squarely within Mehring’s most-famous body of hard-edged geometric abstracts, but it also highlights in a superb way Mehring’s willingness to explore color—quite successfully in this case.
The artist was close friends with fellow Washingtonian artist James F. Hilleary, to whom Mehring gifted numerous works. There came an occasion during which Mehring, with Hilleary in Hilleary’s studio, suddenly picked up a pencil and scribbled out his name on all of the canvases he had given Hilleary, convinced that his work was unworthy. Time has proved Mehring wrong.
Beautifully float-framed in a solid oiled-Walnut frame.
| Attributes | Value |
|---|---|
| Condition | Very Good Condition |
| Date | |
| Type | Paintings, Washington Artists |
| Framing | |
| Medium | Oil on canvas, Painting |
| Signing, Dating, and Titling |
Medium:
Oil on Canvas
Date:
c. 1978
Signature:
Signed by the artist in pen, en verso, but signature defaced by the artist.
Framing:
Professionally framed in a pewter-painted wood frame with a cloth-wrapped liner. Retaining the hang tag attached by the Marin-Price Gallery.
Condition:
Very good condition. Minimal hairline cracking in paint; no losses.
Size:
40 in. (h) × 39 in. (w)
Provenance:
Gift of the Artist to his close friend fellow Color School painter James Hilleary, thence acquired directly from Hilleary’s estate.
Exhibitions:
Exhibited at Marin-Price Gallery, 2014

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